In this way, the book attracted samplings of recognition and renown, the contrasting reputational ingredients associated with an enduring cultural appeal. Focusing on a single “pointy” case from the world of literature-the 1996 novel Infinite Jest, by David Foster Wallace-I ask whether a set of unique social dynamics attends the process of making a “cultural splash.” In the case of Infinite Jest, success came from occupying an intermediate position in the “space between fields” and eliciting a complex, mutually referential response from cultural intermediaries. This paper builds on two leading models of artistic practice, the “network-building” and “autonomous sphere” approaches, to show how an expressive work can reverse the normal antinomy between artistic recognition and commercial success and become an immediate crossover hit.
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